Updated:
10/22/08 2:16 PM
CLASS MEETINGS
Lecture Section 401 (#14060) Monday 3-4:50 PM, Mitchell Hall B-91, Glenn Bach
Lab Section 801 (#39624)
Wednesday 3-4:50 PM, Mitchell Hall B-91, Emir Cakaroz
Lab Section 802 (#39625) Wednesday 3-4:50 PM,
Mitchell Hall B-65, Heidi Spencer
Lab Section 803 (#39626) Wednesday 3-4:50 PM,
Mitchell Hall B-43, Joe Sacco
Lab Section 804 (#39627) Wednesday 3-4:50 PM,
Mitchell Hall B-68, Seth Warren-Crow
Lab Section 805 (#39628) Wednesday 3-4:50 PM,
Mitchell Hall B-18, Sean Kafer
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INSTRUCTOR
Glenn Bach (Lecture)
bachg@uwm.edu (please include the string, "[FILM 116]" in the subject line of all e-mails pertaining to this class)
Office Hours and Location: MW 2-3 PM, Mitchell Hall B-60.
Emir Cakaroz (Lab 1)
ecakaroz@uwm.edu (please include the string, "[FILM 116]" in the subject line of all e-mails pertaining to this class)
Office Hours and Locations: Wednesdays 1-3 PM, MIT B-53
Heidi Spencer (Lab 2)
spencerh@uwm.edu (please include the string, "[FILM 116]" in the subject line of all e-mails pertaining to this class)
Office Hours and Location: Wednesdays 1-3 PM, MIT B-53.
Joe Sacco (Lab 3)
jgsacco@uwm.edu (please include the string, "[FILM 116]" in the subject line of all e-mails pertaining to this class)
Office Hours and Locations: Wednesdays 1-3 PM, MIT B-53.
Seth Warren-Crow (Lab 4)
warrencs@uwm.edu (please include the string, "[FILM 116]" in the subject line of all e-mails pertaining to this class)
Office Hours and Locations: Wednesdays 1-3 PM, MIT B-55B.
Sean Kafer (Lab 5)
skafer@uwm.edu (please include the string, "[FILM 116]" in the subject line of all e-mails pertaining to this class)
Office Hours and Locations: Tuesdays and Thursdays 2:30-3:30 PM, MIT B-53.
Film Department Office: MIT B-70, phone: (414) 229-6015 |
COURSE OBJECTIVES
This course embraces the DIY (do it yourself) philosophy in the creation of original works of sound and video art. Students will develop contemporary media art skills by employing freeware and open source software to capture, edit, and compose works of audio and video. Course content will include, but not be limited to, self-competent computing (operation of system facilities, software installation, media file management, server file uploading), perceptual engagement, audio field recording, recognition of sound qualities, event description, digital audio editing, MP3 file exporting, blog posting/authoring, familiarity with graphic and motion perception, video and still shot logging, video editing, rhythmic editing, Quicktime movie exporting, personal experience assessment/questioning, and a variety of technical and creative competency skills associated with media production. |
ASSIGNMENTS OVERVIEW
There are two graded assignments documented and presented on two separate Drift Blogs, along with a Research Blog, Drift Atlas, and the general categories of Attendance/Participation:
DRIFT 1
A series of observations about the urban landscape, with five field recordings captured on an intensive investigative walk.
DRIFT 2
A short sound video inspired by issues arising from Drift 1.
RESEARCH
You will document your explorations, thoughts, and experimentations with media on this blog throughout the semester. You should include all of your discussions, analyses, sketches, photographs, diagrams, drawings, research reflections, and links to various media resources you have explored in this class. Your Research Blog is also the mechanism by which you will be evaluating your progress throughout the semester, reflecting on the hardware and software tools used in this class.
DRIFT MAP
A holistic map that charts all of the important locations and events on your Drifts. The map can be single or multiple, hand-drawn or collaged, computer-generated or manipulated, comic book or photo essay, and can be published as a simple link to a jpeg, a separate web page or blog, or a self-contained GoogleMap. Your Drift 1 and Drift 2 blogs must include references to the Drift area and submaps included on your Drift Map.
ATTENDANCE/PARTICIPATION
It is essential that you come prepared for class (bring required materials and any due work), be actively engaged in learning (listening to instructions and observing demonstrations), and participate in critiques, discussions and studio maintenance (setting up, sharing space with peers, and cleaning up).
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GRADING POLICY
Drift 1: 25% (250 points)
Drift 2: 35% (350 points)
Drift Map: 10% (100 points)
Research: 20% (200 points)
Attendance/Participation: 10% (100 points)
TOTAL: 1000 points
A = 1000-900
B = 899-800
C = 799-700
D = 699-600
F = 599-0
A Excellent and Superior Work. Performance of the student has been at the highest level, showing sustained excellence in meeting all course requirements and exhibiting an unusual degree of intellectual initiative.
B Above Average. Performance of the student has been at a high level, showing consistent and effective achievement in meeting course requirements.
C Average. Performance of the student has been at an adequate level, meeting course requirements.
D Below Average. Performance of the student has been less than adequate, meeting only the minimum course requirements.
F Failing. Performance of the student has been such that minimal course requirements haven’t been met.
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CLASS TECHNICAL FORUM
The class Technical Forum is the place to take all of your questions about using the software and hardware required for this class. Please do not e-mail me or your lab instructor with a technical question without first searching the Technical Forum for a pre-existing solution or posting your question if you can't find an answer. If we receive an e-mail concerning a technical question that does not reference the Technical Forum, we will send you there before working on troubleshooting your problem. It is your responsibility to follow through on your question after it appears on the Forum . . . don't wait for a reply from us. We will do everything we can to help you troubleshoot the issue, but you have to take charge of the process.
Rules of Technical Forum Participation
1. Complete your Profile as outlined--especially the information about your computer platform (Mac or PC) and the operation system and version you have. This saves Forum users a lot of time, and improves your chances of getting help.
2. Check the topics to see if the question you have has already been asked (posted). If there are fairly unique terms (like a part number, an error prompt or program command name), you can search the terms in the forum's search tool (magnifying glass icon at the top of the Forum Index). For example, if you are getting "-5000 errors," enter "-5000 error" in the "keyword" cell. All posts with the same string will be collected into one query window.
3. If you find another user has posted the same or similar question but it was not answered, don't give up. Scroll down to the bottom post and post a reply to it. State that you are seeking similar assistance and briefly describe whether our situation is similar or slightly different. Add details that you have encountered that might add to the evidence.
4. When posting a question, place it under the most relevant topic you can find. Use the subject line effectively by providing a brief description of what you are trying to do or the problem that persists. If you received a warning or error message, copy the exact wording used, character for character, and include this with your question. Describe exactly what you were doing on the computer when the problem happened. Describe any actions you have taken to resolve the problem even if they didn't work. Include links to the problem if it is online (like a blog) or upload a sample file and include a link to it.
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COMPUTER REQUIREMENT
Even though the Film Department has no "Laptop Requirement" (except for students entering the Photography Track), you will need consistent access to a computer with internet access. There are several Mac and a few PC platforms in MIT 353 and MIT B-18 on which you can do everything you need for this class.
Campus Computer Labs (locations and hours)
Film Department Labs
Mitchell Hall, Room B-18
E-mail me to request 24/7 access to B18. You then will be able to use your student ID card for access after the third week of class. Use the two black PCs for SonicStage sound transfers, Audacity, and Quicktime Pro. The Macs will have Audacity and Quicktime Pro. (To get 24/7 access to Mitchell Hall, visit the PSOA Box Office in the Zelazo Center Monday through Friday, 10 AM - 4 PM. The door with the hand scan unit in Mitchell Hall is the basement entrance by the loading dock.)
Mitchell Hall, Room 353
Two PCs for SonicStage transfers, Audacity. Seventeen Mac platforms with Audacity. Check the UITS page for computer lab hours.
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FREEWARE/SHAREWARE INSTALLATIONS FOR YOUR HOME COMPUTER
If you are planning to work at home, you are required to download and install the following freeware applications for your Mac or PC computer. Note: Mac Intel/OS X 10.4.7+ users, download and install the free version of Stuffit Expander before you attempt to download and install the following software. |
WEB BROWSER |
Mozilla Firefox 2.0.0.6 for Mac OS X and Windows XP (use as your web browser for this class). |
AUDIO
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Sony SonicStage v3.4 [.zip] for Windows XP, for transferring Hi-MD sound recordings from your NH700 Sony digital recorder. For those running Windows Vista, you have to use SonicStage v4.3, download here. There are black PCs in MIT B-18 and MIT B-353 with SonicStage CD-DVD burners equipped for SonicStage transfers. You must bring your Hi-MD recorder and the USB transfer cable. Note that SonicStage transfers from a Hi-MD recorder cannot be done on a Mac running OS X unless it is a Mac Intel, which requires running Boot Camp and Windows XP.
Audacity
LAME MP3 encoder for Audacity
VST Enabler (allows installation of VST Plugins)
List of VST Plugins that work well with Audacity
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VIDEO (WIN)
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Quicktime Pro 7. ($30).
For those using Vista, you have to download an earlier version: download version 7.2 here.
MPEG Streamclip v1.01 (QuickTime movie converter/editor for Windows XP).
VideoLan Player for Windows XP (plays H.264 Mpg4 QuickTime movies).
Options for PC-based video editors (freeware, open source, and/or shareware). Please consult with your section instructor before choosing which of these apps to download:
EDITORS
Avidemux
AVIedit
Avitricks Classic
AVS Video Editor
Jahshaka (please note that we do not recommend Jahshaka at this time)
Video Edit Magic
VideoSpin (read reviews here and here)
VIdeoThang (read a review here)
VirtualDub
ZweiStein
CONVERTERS
AVS VIdeo Converter (AVI, MP4, WMV, 3GP, MOV, QT, SWF, DVD, VOB, VRO, MPEG 1, 2, 4, H.263, H.264, RV, DVR-MS, MKV, FLV)
Movie Converter (MPEG/MOV/AVI/WMV/RM/VCD/DVD Movie)
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VIDEO (MAC)
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Quicktime Pro 7 ($30.)
MPEG Streamclip v1.7 for Mac OS X.
VideoLan Player for Mac OS X (plays H.264 Mpg4 QuickTime movies).
Options for Mac-based video editors (freeware, open source, and/or shareware). Please consult with your section instructor before choosing which of these apps to download:
Jahshaka (please note that we do not recommend Jahshaka at this time)
SimpleMovieX
HyperEngine-AV
OS X Freeware List (contains links to many freeware applications that you can use). |
PHOTO
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WINDOWS
ImagePlay (free editor for Windows and Mac)
Irfanview (free editor for Windows, exports slideshows as .mov)
Picasa (free editor for XP/Vista)
MAC
Graphic Converter (free editor for Windows and Mac)
ImagePlay (free editor for Windows and Mac)
ImageScale (html compliant editor/resizer)
ImageWell (free editor; add graphics like arrows, circles, etc.)
MotionMaker ("animates" a still by slicing it, export to QT Pro)
PictureNamer (name stills in a folder, preserve shot order)
Seashore (open source editor based on GIMP)
SnapNDrag (screen capture, export jpegs for assembly in QT Pro)
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COMMERCIAL SOFTWARE OR FREEWARE?
Although there are no restrictions on the types of software you can use in this class, it is critical as a media artist to learn alternative methods of achieving your artistic and creative goals. Learning about and exploring alternatives to commercial software is an important skill, and freeware and/or open source software can prove to be not only a cheaper alternative but may often yield more interesting and unique results to problems. Sometimes if you are forced to work within restrictions imposed by a particular software (or new procedures in an application with which you are unfamiliar) you can discover new aspects of your work, as well as new ways of expressing those discoveries.
If you choose to explore a freeware/open source software package for your video editing, you will document your experience with that particular app on your Research blog. Extra Credit will be given if you write a primer on your video app for the Technical Forum.
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E-MAIL POLICIES
E-mail is the primary means of communication in this class, and you will need to check your e-mail DAILY for class information and correspondence with your instructors. If you have not already done so, use your UWM user name and password to log on to, and become familiar with, your PantherMail e-mail account. If you have not used e-mail before, a good way to get started is to go to a computer on the second floor of the library or Bolton Hall and go through the Getting Started Guide. The staff there can help you with the usual questions. There are also Short Courses through University Information Technology Services (UITS) about using Panthermail, the Internet, and Windows/Mac operating systems. If computing is a new experience for you, take them all.
If you want to continue using an e-mail application that is already on your personal computer, you can probably configure it to access/download your UWM e-mail every time you check mail (look here for information on how to set up your e-mail client).
We ask that you use your UWM e-mail address for identification purposes and all correspondence in this class. If the e-mail application on your computer (or the one you use online) does not support "multiple identities" (being able to send e-mail "from" several different addresses), install and learn to use one of the free e-mail apps that do. Some popular options are Thunderbird (Mozilla/Firefox), Mac OS X Mail, Outlook Express (Windows), and Eudora Lite (Eudora will soon be fully open source). Note that installing the e-mail application on your computer as with those listed above is safer and more robust than using a browser supported online application like PantherMail. |
E-MAIL NETIQUETTE
You will be expected to learn how to use politeness when using e-mail:
1. Enable the receiver of your e-mail to use a "mailbox" to store e-mails from an ongoing discussion with you. In this class, accomplish this by always including the string [FILM 116] in the Subject Line of all new e-mails you create pertaining to the class. This can greatly aid you and the
instructor in getting to your important e-mail quickly without having to sort through numerous unlabled e-mail messages. You can set up mailboxes in most e-mail apps, including Panthermail.
2. Use "Reply" to reply to an e-mail, not "New Message."
3. Make sure your e-mail application is set to automatically "include (or quote)
the original message" in the body of the e-mail when you reply. The "include the original message" may not be the "default setting" in your e-mail application, and may have to be changed in the applications Preferences. If you respond to an e-mail by creating a new e-mail, the prior correspondence will not be included--this practice should be avoided.
4. If you have good habits about using the Subject line in your e-mails, congratulations! If not, this class will probably improve them. Instructors go through many e-mails and need some sense of the content in order to work through them efficiently. The rules are simple: if you have changed the topic, change the subject line. If you emphasize a new aspect that was added to the discussion (as when a discussion splits into several discussions), change the subject line and include a "was" phrase like this:
You received:
Subject: Where Can I Find SonicStage v3.4?
You return:
Subject: SSv3.4 & XP Home edition (was Where Can I Find SonicStage v3.4?)
5. Do not forward or "cc" anyone's e-mail to anyone else without the original author's knowledge that you are doing so.
6. Read the whole e-mail before you start responding to any part.
7. If you are frustrated with the way a communication is going, consider writing a draft reply and sleep on it before sending it.
8. Without the clues of face-to-face communication, humor, irony, sarcasm, and wit can be easily misinterpreted, but don't let that stop you! (Seriously.) Try including a smiley icon, wink icon, or a brief conditional phrase like "ha-ha" in parentheses when you think there is a chance the receiver might not know that you are laughing, joking, etc.
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USE OF COPYRIGHTED MATERIALS This class is all about developing your abilities to generate new work from raw materials and ideas. All of your work in this class, therefore, must be 100% original. If we have a question about the source of your material,we will ask you to supply evidence that the material is yours. |
PROVIDED PRODUCTION EQUIPMENT
Students will receive a digital sound recorder with accessories and a digital still/video camera. The digital camera kits have 1 GB flash memory cards. All of this equipment is very fragile and in most cases will not withstand dropping at all. Get in the habit of holding/gripping your tools with awareness of their fragility. For example, do not attempt to hold or use your camera or recorder and another piece of equipment at the same time (like a cell phone).
Carefully read the terms to which you are
agreeing before you check out the gear for this class. You are 100% responsible for its safe return by Monday, December 1, 3 PM. Contact Brooke Swelstad in the Equipment Room IMMEDIATELY if your equipment is lost, broken, or fails to function as it should (Mitchell Hall B-54, 229-4643). Do not replace or repair any item that has been checked out to you. The form you signed when checking out the kit has procedures to follow when the equipment isn't functional or accessories are lost.
You will be required to turn in your kit by Monday, December 1, 3 PM. You will be docked 10 points from your Participation grade for every day the kit is late. If the Equipment Room does not receive your kit by the end of the semester, you will receive a 0 on your Drift 2 grade, the Film Department will put a hold on your records, you will be billed for the cost of replacing the kit, and you will be forbidden from checking out equipment in the future. |
SERVER SPACE
A portion of your student fees goes towards providing you web space for uploading pictures, sounds, and movies for sharing with anyone through the web. You can acccess your personal PantherFile resource from any computer that is connected to the net. Here's a movie that introduces Pantherfile's basic functions and a list of tutorials with essential PantherFile and server practices for this class. |
REQUIRED CLASS SUPPLIES
There are no required books to buy. Class supplies are less than $100 if you don't need to buy an external Hard Drive to edit in the labs. The bulk of the money is for items you can use for many years, even if you don't go on to major in Film.
One 1GB HD MIniDisc, available from Riverwest Film & Video, 824 East Center St., Milwaukee, WI 53212, Hours: 3-11pm daily, 414-265-8433) for ~$7 each (or you can buy four 74-minute or 80-minute Standard MiniDiscs, available online for about $1.50 each).
One (1) pair of enclosed-ear design headphones, such as Maxell HP-550 MXA Full-Sized Digital Headphones, or JVC HA-G101 Stereo Headphones (available online or from Riverwest Film & Video for ~$12).
Eight (8) AA size rechargeable Ni-MH batteries with 4 AA cell charger (available online from Riverwest Film & Video for ~$15).
Four (4) additional AA size rechargeable Ni-MH batteries (available online or from Riverwest Film & Video for ~$1.50 each / $6 total).
Two (2) Rapid 35-0190 Electret microphone capsules for your DIY stereo mics.
These are only available from Riverwest Film & Video, ~$1.25 each / $2.50 for two.
One (1) stereo audio cable with dual RCA male to single stereo mini (1/8") plug, 1.5m (4 feet, 11 inches) about $6 (available from Riverwest Film & Video, or from Sam Ash, Best Buy, Radio Shack or other electronics stores).
Two (2) alligator clips (available from Riverwest Film & Video).
Ten (10) blank CD-R discs or five (5) blank DVD-R discs for transporting your sound back and forth from the lab PCs, and for making back-up copies of your still photo, audio, and video files (available anywhere, less than $1.25 each, and less if you buy in bulk).
All supplies, except for the mic capsules, can also be found at stores such as Radio Shack, Best Buy, Circuit City, Fry's Electronics, or any electronics store. |
EXTERNAL HARD DRIVE REQUIREMENT
To edit your projects in the MIT-353 computer lab you will need a fast external hard drive (a USB "flash" drive is not enough). Students who go on to pursue study in the Film Department will be required to purchase a similar drive on which to store their video and audio recordings. See the Hi-MD Handbook [pdf] for instructions on how to make a data CD-R with Nero (Windows). Use the "New Burn Folder" process to make data-format discs with a Mac.)
500 GB external hard drives are now available for about $130, and 160GB drives for $100 or less. You can purchase USB or Firewire drives at Best Buy, Circuit City, Radio Shack, Milwaukee PC, Other World Computing, or Amazon.
All external hard drives must be initialized before using them on a Mac! Using a drive on both Mac and PC greatly increases the chance of directory corruption and data loss. |
FACILITY ACCESS AND WORK PERMITS
Students using department facilities must have an updated Work Permit (handed out in class). Film Department facilities are normally open from 8 AM to 4:30 PM, Monday-Friday. The MIT B-18 lab/classroom has card-swipe access which usually is set up in the second week of class. Access to Mitchell Hall exterior doors on weekends or late in the evenings will be by hand-print ID. |
COURSE SAFETY
There are two main areas of the class where we need to pay closer attention to specific safety issues: microphone soldering and walking around in the city. Check here for some basic soldering safety tips (which we will also cover in the demo and workshops). When navigating city streets on the various Drifts, please be attentive to your surroundings. This is covered in greater depth in the Drift 1 page. |
DATA LOSS POLICY
The Film Department is not responsible for lost data or the ramifications of lost data, and this cannot be used as an excuse for a late project. The tutorials show how to make back-up copies of your media files, as well as your Avid DV Free and Audacity "edit" files on removable CD-R and/or DVD-R discs. It's not a matter of IF you will lose data, but WHEN. Protect yourself against this unnecessary setback. |
SPECIAL NEEDS AND QUESTIONS
If you need special accommodations
to meet any of the requirements of this course, please contact me as soon as possible. Feel free to visit me at my office during office hours to discuss assignments or any questions or requests you have. The Department of Film follows UWM academic policies which are posted on the departmental bulletin board and available online as a PDF. |
LATE ASSIGNMENTS
Late projects will be accepted, but will automatically be docked 25 points for each 24-hour period past the due date. If the point total for a particular project reaches 0 (after 10 late days), the project will no longer be considered. If you receive a 0 on a Drift project, you should consider dropping the class, as this is a sign that you are too far behind to do well in future coursework. Meeting deadlines is a major part of being a professional media artist; technical problems, computer issues, lost data, or job/personal conflicts are not legitimate excuses for missing a deadline. |
ILLNESS AND ABSENCE
If you are absent and need help with make-up work, you will need to provide
a letter from a qualified professional explaining why you could not attend class. If your illness or situation takes you away from your class work for more than a day or two, have the professional explain in the letter why you could not access and perform the class work that is online. We expect students to read the syllabus and take instruction from the syllabus and provided instruction guides very carefully. Aside from required in-class presentation dates, we don't take attendance because it is the quality of the artwork that counts most for artists. Not attending class tends to affect the quality of the artwork produced for this class pretty rapidly, and part of your class participation grade (10% of your final grade) is based on your attendance and participation in required workshops. |
DROPS AND INCOMPLETES
The last day to drop without a "W" is Monday, September 29.
The last day to drop with a "W" is Friday, October 24. No drops are allowed after this date.
An incomplete may be given if you have managed the class successfully ("B" or better) until near the end of the semester, but, because of illness or other unusual and substantiated cause beyond your control, you have been unable to take or complete the final examination or to complete some limited amount of term work. An incomplete will not be given unless you can prove that you were prevented from completing the course requirements for just cause as indicated above. A course marked incomplete must be completed during the first eight weeks of the next succeeding semester of enrollment, excluding summer sessions. Access to department facilities for the purpose of completing course requirements is extended five weeks into the next semester. More on the policy here (UWM documents #1558 and #1602). |
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