FALL 2008
COURSE SYLLABUS

Updated: 11/10/08 1:35 PM

CLASS MEETINGS

FILM 420 (Section 405 #60512)
Mondays and Wednesdays, 9-10:50 AM, KSE-416

INSTRUCTOR

Glenn Bach (Lecture)
bachg@uwm.edu (please include the string, "[FILM 420]" in the subject line of all e-mails pertaining to this class)
Office Hours and Location: Monday and Wednesday 2-3 PM, Mitchell Hall B-60.


Film Department Office: MIT B-70, phone: (414) 229-6015

COURSE OBJECTIVES
This course examines the capture, editing, processing, and presentation of sound as a unique medium. We will develop and nurture sincere and authentic listening skills on soundwalks throughout the landscape. We will make works of audio art by capturing field recordings, creating digital recordings in the studio, and documenting improvised live performances.

ASSIGNMENTS OVERVIEW
There are five graded assignments, along with the general category of Attendance/Class Participation:

AUDIO DIARY
You will document your processes and experiences in this class on your own project page on the course wiki. You will document your soundwalk experience, the results of your research and experimentation, and MP3s of all of your projects and exercises.

SOUNDSCAPE
You will compose a 5-10 minute soundscape built from recordings captured in the field.

COMPOSITION
Using a variety of freeware and shareware audio applications, you will generate a sound composition assembled entirely through digital means. This project may involve generative audio techniques, and may be built on or inspired by the work of your peers from the Soundcape assignment.

FINAL PROJECT
You will be working individually or in groups to generate a proposal for a work of audio art, fixed sound installation, podcast, and/or performance for the final project. The sounds that make up your final project can be created entirely in the studio, recorded in the field, captured from a live improvisation, or a hybrid of the three.

ATTENDANCE/CLASS PARTICIPATION
It is essential that you come prepared for class (bring required materials and any due work), be actively engaged in learning (listening to instructions and observing demonstrations), and participate in critiques, discussions and studio maintenance (setting up, sharing space with peers, and cleaning up).

GRADING POLICY

Audio Diary: 10% (10 points)
Soundscape: 25% (25 points)
Composition: 25% (25 points)
Final Project: 30% (30 points)
Attendance/Participation: 10% (10 points)


          TOTAL: 1000 points

A = 100-90
B = 89-80
C = 79-70
D = 69-60
F = 59-0


A
      Excellent and Superior Work.  Performance of the student has been at the highest level, showing sustained excellence in meeting all course requirements and exhibiting an unusual degree of intellectual initiative.

B
      Above Average.  Performance of the student has been at a high level, showing consistent and effective achievement in meeting course requirements.

C      Average.  Performance of the student has been at an adequate level, meeting course requirements.

D      Below Average.  Performance of the student has been less than adequate, meeting only the minimum course requirements.

F     Failing.  Performance of the student has been such that minimal course requirements haven’t been met.

 

TECHNICAL FORUM
The Technical Forum is the place to take all of your questions about using the software and hardware required for this class. Please do not e-mail me with a technical question without first searching the Technical Forum for a pre-existing solution or posting your question if you can't find an answer. If we receive an e-mail concerning a technical question that does not reference the Technical Forum, we will send you there before working on troubleshooting your problem. It is your responsibility to follow through on your question after it appears on the Forum . . . don't wait for a reply from us. We will do everything we can to help you troubleshoot the issue, but you have to take charge of the process.

Rules of Technical Forum Participation

1. Complete your Profile as outlined--especially the information about your computer platform (Mac or PC) and the operation system and version you have. This saves Forum users a lot of time, and improves your chances of getting help.

2. Check the topics to see if the question you have has already been asked (posted). If there are fairly unique terms (like a part number, an error prompt or program command name), you can search the terms in the forum's search tool (magnifying glass icon at the top of the Forum Index). For example, if you are getting "-5000 errors," enter "-5000 error" in the "keyword" cell. All posts with the same string will be collected into one query window.

3. If you find another user has posted the same or similar question but it was not answered, don't give up. Scroll down to the bottom post and post a reply to it. State that you are seeking similar assistance and briefly describe whether our situation is similar or slightly different. Add details that you have encountered that might add to the evidence.

4. When posting a question, place it under the most relevant topic you can find. Use the subject line effectively by providing a brief description of what you are trying to do or the problem that persists. If you received a warning or error message, copy the exact wording used, character for character, and include this with your question. Describe exactly what you were doing on the computer when the problem happened. Describe any actions you have taken to resolve the problem even if they didn't work. Include links to the problem if it is online (like a blog) or upload a sample file and include a link to it.

COMPUTER REQUIREMENT
Even though the Film Department has no "Laptop Requirement" (except for students entering the Photography Track), you will need consistent access to a computer with internet access. In addition to the computers in KSE-416, there are several Mac and a few PC platforms in MIT 353 and MIT B-18 on which you can do everything you need for this class.

Campus Computer Labs (locations and hours)

Film Department Labs

KSE-416 Audio Lab
Description:

Mitchell Hall, Room B-18

24/7 access. Use your student ID card for access after the third week in class. Use the two black PCs for SonicStage sound transfers, Audacity, and Quicktime Pro. The Macs will have Audacity and Quicktime Pro. (To get 24/7 access to Mitchell Hall, visit the PSOA Box Office in the Zelazo Center Monday through Friday, 10 AM - 4 PM. The door with the hand scan unit in Mitchell Hall is the basement entrance by the loading dock.)

Mitchell Hall, Room 353
Two PCs for SonicStage transfers, Audacity.
Seventeen Mac platforms with Audacity.

FREEWARE/SHAREWARE INSTALLATIONS FOR YOUR HOME COMPUTER
If you are planning to work at home, you are required to download and install the following freeware applications for your Mac or PC computer. Note: Mac Intel/OS X 10.4.7+ users, download and install the free version of Stuffit Expander before you attempt to download and install the following software.

WEB BROWSER

Mozilla Firefox 2.0.0.6 for Mac OS X and Windows XP (use as your web browser for this class).

AUDIO

 

Sony SonicStage v3.4 [.zip] for Windows XP, for transferring Hi-MD sound recordings from your NH700 Sony digital recorder. For those running Windows Vista, you have to use SonicStage v4.3, download here. There are black PCs in MIT B-18 and MIT B-353 with SonicStage CD-DVD burners equipped for SonicStage transfers. You must bring your Hi-MD recorder and the USB transfer cable. Note that SonicStage transfers from a Hi-MD recorder cannot be done on a Mac running OS X unless it is a Mac Intel, which requires running Boot Camp and Windows XP.

Audacity

LAME MP3 encoder for Audacity

VST Enabler (allows installation of VST Plugins)
List of VST Plugins that work well with Audacity

Portals and Communities
DatabaseAudio
Don't Crac[k]
HitSquad
MacMusic

Freeware/Shareware
Ambiloop (Win)
AnalogBox (Win)
Analysis & Resynthesis Sound Spectrograph (Mac)
Audio Hijack Pro (Mac)
AudioPaint (Win)
Aurora (Mac)
Bassman (Win)
Bitmaps and Waves
Bitmap to Wav
Blip (Win)
Clicker (Win)
Coagula Light (Win)
Color Tones (Win)
Connector (Mac)
Cool Edit (Win)
Draw the Sound (Win)
DrumSynth (Win)
Enrythmizer (Win)
ER-0 Drum Synthesizer (Win)
Gloops (Win)
GrainBox (Mac)
Granulab (Win)
Granulator (Win)
ixiQuarks (Mac)
Jesusonic (Mac)
LazyFish
Max/MSP Runtime
MicroMog (Mac)
Monalisa (Mac)
Moonfish (Win)
MultiWave (Win)
NoiseGenerator
NoteGate (Mac)
Picker (Mac)
PolyMachine (Mac)
Praat (Mac)
SawCutter
Say (Mac)
Say It! (Win)
Shell (Mac)
SimSynth (Win)
Slicer (Mac)
SoftSynth
Sonic Visualizer (Win)
Sound 2D Warper (Win)
Soundhack (Win)
Sound Morpher (Win)
Spectrogram
SpinOSC (Mac)
StockSynth (Mac)
Stomper
Synplant (Mac, Win)
SynthFactory
Theremin (Win)
TS 404 (Win)
Vocoder
WinGrain

Live Performance Tools
Audiomulch (Win)
Autocrap (Mac)
Crystals (Mac)
F|LUX (Mac)
Lauki (Mac)
MicWorld (Mac)
Noiser (Mac)
SoundViruses (Mac)
SpinDrum (Mac)
Tree (Mac)


Players
Cog
VideoLAN

Backup Software
SuperDuper!

PHOTO

 

 

WINDOWS

ImagePlay (free editor for Windows and Mac)
Irfanview
(free editor for Windows, exports slideshows as .mov)
Picasa
(free editor for XP/Vista)


MAC

Graphic Converter (free editor for Windows and Mac)
ImagePlay (free editor for Windows and Mac)
ImageScale (html compliant editor/resizer)
ImageWell (free editor; add graphics like arrows, circles, etc.)
MotionMaker ("animates" a still by slicing it, export to QT Pro)
PictureNamer (name stills in a folder, preserve shot order)
Seashore (open source editor based on GIMP)
SnapNDrag (screen capture, export jpegs for assembly in QT Pro)

E-MAIL POLICIES
E-mail is the primary means of communication in this class, and you will need to check your e-mail DAILY for class information and correspondence with your instructor. Always include the string [FILM 420] in the Subject Line of all new e-mails you create pertaining to the class.
USE OF COPYRIGHTED MATERIALS
This class is all about developing your abilities to generate new work from raw materials and ideas. All of your work in this class, therefore, must be 100% original. If we have a question about the source of your material,we will ask you to supply evidence that the material is yours.
PROVIDED PRODUCTION EQUIPMENT
Students will receive a production kit containing a MiniDisc recorder and a Rode microphone. All of this equipment is very fragile and in most cases will not withstand dropping at all. Get in the habit of holding/gripping your tools with awareness of their fragility. For example, do not attempt to hold or use your camera or recorder and another piece of equipment at the same time (like a cell phone).

Carefully read the terms to which you are agreeing before you check out the gear for this class. You are 100% responsible for its safe return. Contact Brooke Swelstad in the Equipment Room IMMEDIATELY if your equipment is lost, broken, or fails to function as it should (Mitchell Hall B-54, 229-4643). Do not replace or repair any item that has been checked out to you. The form you signed when checking out the kit has procedures to follow when the equipment isn't functional or accessories are lost.

You will be required to turn in your kit by Wednesday, December 3, 3 PM. You will be docked 10 points from your Participation grade for every day the kit is late. If the Equipment Room does not receive your kit by the end of the semester, you will receive a 0 on your Installation grade, the Film Department will put a hold on your records, you will be billed for the cost of replacing the kit, and you will be forbidden from checking out equipment in the future.

REQUIRED CLASS SUPPLIES
There are no required books to buy. Class supplies are less than $100 if you don't need to buy an external Hard Drive to edit in the labs. Most supplies are available from Riverwest Film & Video, 824 East Center St., Milwaukee, WI 53212, Hours: 3-11pm daily, 414-265-8433)

MiniDiscs (one 1GB HD MIniDisc, for ~$7 each, for use with the Sony HD NH 700, or you can buy four 74-minute or 80-minute Standard MiniDiscs, available online for about $1.50 each, for use with other non HD MiniDisc recorders.

Eight (8) AA size rechargeable Ni-MH batteries with 4 AA cell charger (available online from Riverwest Film & Video for ~$15).

Ten (10) blank CD-R discs or five (5) blank DVD-R discs for transporting your sound back and forth from the lab PCs, and for making back-up copies of your still photo, audio, and video files (available anywhere, less than $1.25 each, and less if you buy in bulk).

OPTIONAL:

Two (2) Rapid 35-0190 Electret microphone capsules for your DIY stereo mics. These are only available from Riverwest Film & Video, ~$1.25 each / $2.50 for two.

One (1) stereo audio cable with dual RCA male to single stereo mini (1/8") plug, 1.5m (4 feet, 11 inches) about $5 (available online from Riverwest Film & Video, or from Radio Shack or other electronics stores).

Two (2) alligator clips (available from Riverwest Film & Video).

All supplies, except for the mic capsules, can also be found at stores such as Radio Shack, Best Buy, Circuit City, Fry's Electronics, or any electronics store.

EXTERNAL HARD DRIVE REQUIREMENT
To edit your projects in the KSE-416 audio lab you will need a fast external hard drive (a USB "flash" drive is not enough).

500 GB external hard drives are now available for about $130, and 160GB drives for $100 or less. You can purchase USB or Firewire drives at Best Buy, Circuit City, Radio Shack, Milwaukee PC, Other World Computing, or Amazon.

All external hard drives must be initialized before using them on a Mac! Using a drive on both Mac and PC greatly increases the chance of directory corruption and data loss.

FACILITY ACCESS AND WORK PERMITS
Students using department facilities must have an updated Work Permit (handed out in class). Film Department facilities are normally open from 8 AM to 4:30 PM, Monday-Friday. The MIT B-18 lab/classroom has card-swipe access which usually is set up in the second week of class. Access to Mitchell Hall exterior doors on weekends or late in the evenings will be by hand-print ID.
COURSE SAFETY
There are two main areas of the class where we need to pay closer attention to specific safety issues: microphone soldering and walking around in the city. Check here for some basic soldering safety tips (which we will also cover in the demo and workshops). When navigating city streets, please be attentive to your surroundings.
DATA LOSS POLICY
The Film Department is not responsible for lost data or the ramifications of lost data, and this cannot be used as an excuse for a late project. The tutorials show how to make back-up copies of your media files on removable CD-R and/or DVD-R discs. It's not a matter of IF you will lose data, but WHEN. Protect yourself against this unnecessary setback.
SPECIAL NEEDS AND QUESTIONS
If you need special accommodations to meet any of the requirements of this course, please contact me as soon as possible. Feel free to visit me at my office during office hours to discuss assignments or any questions or requests you have. The Department of Film follows UWM academic policies which are posted on the departmental bulletin board and available online as a PDF.
LATE ASSIGNMENTS
Late projects will be accepted, but will automatically be docked 25 points for each 24-hour period past the due date. If the point total for a particular project reaches 0 (after 10 late days), the project will no longer be considered. If you receive a 0 on a project, you should consider dropping the class, as this is a sign that you are too far behind to do well in future coursework. Meeting deadlines is a major part of being a professional media artist; technical problems, computer issues, lost data, or job/personal conflicts are not legitimate excuses for missing a deadline.
ILLNESS AND ABSENCE
If you are absent and need help with make-up work, you will need to provide a letter from a qualified professional explaining why you could not attend class. If your illness or situation takes you away from your class work for more than a day or two, have the professional explain in the letter why you could not access and perform the class work that is online. We expect students to read the syllabus and take instruction from the syllabus and provided instruction guides very carefully. Aside from required in-class presentation dates, we don't take attendance because it is the quality of the artwork that counts most for artists. Not attending class tends to affect the quality of the artwork produced for this class pretty rapidly, and part of your class participation grade (10% of your final grade) is based on your attendance and participation in required workshops.
DROPS AND INCOMPLETES
The last day to drop without a "W" is Monday, September 29.

The last day to drop with a "W" is Friday, October 24
. No drops are allowed after this date.

An incomplete may be given if you have managed the class successfully ("B" or better) until near the end of the semester, but, because of illness or other unusual and substantiated cause beyond your control, you have been unable to take or complete the final examination or to complete some limited amount of term work. An incomplete will not be given unless you can prove that you were prevented from completing the course requirements for just cause as indicated above. A course marked incomplete must be completed during the first eight weeks of the next succeeding semester of enrollment, excluding summer sessions. Access to department facilities for the purpose of completing course requirements is extended five weeks into the next semester. More on the policy here (UWM documents #1558 and #1602).
COURSE SCHEDULE